Saturday, September 14, 2019
Figure of Speech and Ancient Greece Essay
Modernity has certainly evolved from the time of the ancient Greece. However, the advancements in technology have not necessarily created a Utopian society. In ââ¬Å"Icarus,â⬠a poem by Edward Field, a mythological character is placed in the bustling and oxymoronic reality of the modern world. Figurative language, irony, syntax, and perspectives are essential elements of Fieldââ¬â¢s relocation of Icarus, whose relocation exposes an alienating and unrelenting 20th century setting. Irony and contrast are immediately evident as Icarusââ¬â¢s story unfolds in the second millennium of the common era. Beginning be depicting the setting and its inhabitants, the speaker highlights some oxymorons in current behavior. Witnesses to Icarusââ¬â¢s mishap run off to a ââ¬Å"gang war,â⬠a cruel satire of urban life and ironical reversion of roles in just one line. Furthermore, Icarusââ¬â¢s report at the police station is ââ¬Å"filed and forgotten,â⬠one element denying the purpose of the other. In addition to this, modern practices appear to contrast those of Icarusââ¬â¢s original setting; in ancient Greece, tales were not written but sang, and they certainly werenââ¬â¢t forgotten. Thus, though lacking mention to the protagonist, the first stanza subtly implies immediate differences between Icarusââ¬â¢s traditional home and his new one. The second stanza begins with yet another juxtaposition of the original and the modified; while the foolish Icarus would have been deemed ââ¬Å"disobedientâ⬠in his times, he becomes ââ¬Å"nice Mr. Hicksâ⬠in modernity. As the speaker begins to describe Icarus directly, another allusion to modern tenets is made; Icarusââ¬â¢s suit ââ¬Å"concealed arms,â⬠which we soon find out though that they are not the ââ¬Å"armsâ⬠used in gang wars but those with which he attempted flight. Icarusââ¬â¢s neighbors cannot perceive his sadness at the failure of his deed, though, and the gentle time (and air) traveler does not wish to upset them by revealing the truths. In this case, a metonymic ââ¬Å"front yardsâ⬠is used by the speaker to symbolize the suburban lifestyle and ââ¬Å"moralisticâ⬠attitude of the people surrounding Icarus. In creating the final analogies and contrasts between the past and present Icaruses, the speaker draws into the tragic hero side of the protagonist and uses it in a rhetorical question at the end of the second stanza. Unfortunately for Icarus, it seems, he did not fall to his death but to the ââ¬Å"middling stature of the merely talentedâ⬠; he cannot find serenity in an environment where personal judgment (Icarusââ¬â¢s neighbors) cannot reconcile with the group activities (participating in committees and riding commuter trains). Using anaphora, the first two lines of the third stanza convey Icarusââ¬â¢s longing for tragic departure, juxtaposing nightly reflection and daily attempts at flight. Lacking the success he had in the past, even though it had cost him, Icarus comes to the conclusion that his role would have been much more satisfactory had he drowned. Field employs techniques of content (contrast and irony) and of how the content is shaped (anaphora and figurative language). In doing so, he conveys both poetically personal reflections and an effective change of Icarusââ¬â¢s setting, shaping this work as an even more tragic story for the protagonist than his death in had been.
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